Click here:
Cadogan Hall December 1st video
Friday 22 October 2010
Tuesday 19 October 2010
I don't mean to moan, but.....
As I sit, the victim of another strike, at Paris CDG airport's train station, I am given pause to wonder, out loud and with expletives at certain points, if travelling could be any more of a pain in the proverbials.
I thought I'd ruminate on this until either my train arrives, or due to cold and boredom I strangle myself with the strap on my violin case. Whichever comes first.
The most distressing aspect of travelling is the loss of time. Time you will never get back, time that is spent in a void. You aren't where you were, nor where you will be, so you are, by definition, waiting. Sure you can try to be productive, you can work, read, blog. But these are all things you will do not because you actually want to, but purely because you need to kill time, which is a terrible, terrible concept. Killing time. I don't know what the opposite of killing time is- perhaps giving birth to it?- but that's what we should be doing, rather than hoping it moves even faster so we can be somewhere we want to be.
The next worst thing about the travelling thing is the loss of control. You are driven, flown, pulled around on trains, all at the mercy of other people, and other people's schedules. If one person is late on the plane, we all are. If one group of people strikes, we all lose money and time waiting. And worst of all, I spend an extraordinary amount of time being subjected to horrific music in taxis. Someone told me it is the law in Sweden that taxis must only play 80's soft-rock. I don't believe this to be true, although my experience would certainly suggest it might be.
There are, of course, advantages to spending time in airports and train stations.
I literally can't think of one, so I'll end this here. (To the sounds of Bon Jovi, as it seems French train stations have the same law as Swedish taxis- must be a Euro-zone ruling).
I thought I'd ruminate on this until either my train arrives, or due to cold and boredom I strangle myself with the strap on my violin case. Whichever comes first.
The most distressing aspect of travelling is the loss of time. Time you will never get back, time that is spent in a void. You aren't where you were, nor where you will be, so you are, by definition, waiting. Sure you can try to be productive, you can work, read, blog. But these are all things you will do not because you actually want to, but purely because you need to kill time, which is a terrible, terrible concept. Killing time. I don't know what the opposite of killing time is- perhaps giving birth to it?- but that's what we should be doing, rather than hoping it moves even faster so we can be somewhere we want to be.
The next worst thing about the travelling thing is the loss of control. You are driven, flown, pulled around on trains, all at the mercy of other people, and other people's schedules. If one person is late on the plane, we all are. If one group of people strikes, we all lose money and time waiting. And worst of all, I spend an extraordinary amount of time being subjected to horrific music in taxis. Someone told me it is the law in Sweden that taxis must only play 80's soft-rock. I don't believe this to be true, although my experience would certainly suggest it might be.
There are, of course, advantages to spending time in airports and train stations.
I literally can't think of one, so I'll end this here. (To the sounds of Bon Jovi, as it seems French train stations have the same law as Swedish taxis- must be a Euro-zone ruling).
Wednesday 13 October 2010
A Strange Bunch
I've just spent the morning recording a lovely version of Carl Davis's music for The French Lieutenant's Woman, with Carl conducting the Philharmonia orchestra. The piece is for string quartet and orchestra, and it got me thinking about musicians.
I got up at 7am today in order to be ready for a 10am start. I had bought Lucozade in order to be fully awake, and I arrived in the dressing room in time to play my scales, before which I made sure my hands were washed and I'd done some jumping up and down exercises to be warm and ready to play.
Then, Lawrence Power, who was playing the viola part, arrived. He got a cup of tea, took his viola out, and pretty much went straight up to the session.
I am jealous, because he sounded fabulous, and he is clearly not a neurotic, so that's kind of annoying on two counts.
Glenn Gould used to have to submerge his hands in hot water before playing, whereas David Oistrakh would play Paganini Caprices before breakfast. Joshua Bell blow-dries his fingers with a hair dryer before going on stage, Martin Roscoe always brushes his teeth.
I guess it's really to be expected, as people are inherently different, but I find it quite fun to watch how musicians all have their own ways of dealing with the generally quite peculiar business of playing an instrument.
I got up at 7am today in order to be ready for a 10am start. I had bought Lucozade in order to be fully awake, and I arrived in the dressing room in time to play my scales, before which I made sure my hands were washed and I'd done some jumping up and down exercises to be warm and ready to play.
Then, Lawrence Power, who was playing the viola part, arrived. He got a cup of tea, took his viola out, and pretty much went straight up to the session.
I am jealous, because he sounded fabulous, and he is clearly not a neurotic, so that's kind of annoying on two counts.
Glenn Gould used to have to submerge his hands in hot water before playing, whereas David Oistrakh would play Paganini Caprices before breakfast. Joshua Bell blow-dries his fingers with a hair dryer before going on stage, Martin Roscoe always brushes his teeth.
I guess it's really to be expected, as people are inherently different, but I find it quite fun to watch how musicians all have their own ways of dealing with the generally quite peculiar business of playing an instrument.
Subscribe to:
Posts (Atom)